See the Work

Where to experience Art of the American West's works in person, and resources to learn more

The Rocky Mountains, Lander's Peak, 1863

Lander's Peak, 1863

Permanent Collections

Institutions holding Art of the American West's original works, plus the public-domain archive these images are drawn from.

National Gallery of Art

Washington, D.C.

Holds 351 paintings from Catlin's Cartoon Collection (Paul Mellon gift, 1965), Bierstadt's The Last of the Buffalo, Moran's Yellowstone watercolors and Green River Cliffs, and Bodmer prints; the main CC0 source for this archive.

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The Metropolitan Museum of Art

New York City

Holds The Rocky Mountains, Lander's Peak, Bierstadt's Yosemite paintings and sketchbooks, Remington's bronzes and paintings, Schreyvogel's My Bunkie and Catlin's early portrait miniatures; a CC0 source for this archive.

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Cleveland Museum of Art

Cleveland, Ohio

Holds Bierstadt's Mount Starr King, Yosemite, Remington's Trooper of the Plains and Moran drawings; a CC0 source for this archive.

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Smithsonian American Art Museum

Washington, D.C.

Holds the nearly complete surviving set of Catlin's original 1830s Indian Gallery, given to the Smithsonian in 1879.

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Joslyn Art Museum

Omaha, Nebraska

Holds the largest of the known collections of Karl Bodmer's watercolors, drawings and prints from the Maximilian expedition.

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Gilcrease Museum

Tulsa, Oklahoma

A major museum of art of the American West, with works by Charles Schreyvogel and Charles M. Russell.

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Amon Carter Museum of American Art

Fort Worth, Texas

A major collection of Western American art, including works by Charles M. Russell.

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Major Exhibitions

Notable retrospectives and exhibitions of Art of the American West's work.

1838-1839
solo

Catlin's Indian Gallery (U.S. tour)

Pittsburgh, Cincinnati and New York

Catlin's touring display of his paintings and collected objects, hung salon-style and accompanied by his lectures, in an unsuccessful bid to interest the federal government.

1839-1840s
solo

Catlin's Indian Gallery (European tour)

London, Brussels and Paris

The gallery's European tour, at which Catlin often presented Native performers - an early form of the Wild West show.

1846
group

Salon of 1846

Paris

Two Catlin portraits were shown and defended by Charles Baudelaire.

1863
solo

The Rocky Mountains, Lander's Peak

Tenth Street Studio Building, New York

Bierstadt's first single-picture exhibition, promoted with a pamphlet and engravings; nearly a thousand invited guests attended.

1864
group

Metropolitan Fair

New York (U.S. Sanitary Commission)

Lander's Peak hung opposite Frederic Church's Heart of the Andes at the Union fundraising fair.

1867
group

Exposition Universelle

Paris

Lander's Peak won a prize.

1991
thematic

The West as America: Reinterpreting Images of the Frontier, 1820-1920

National Museum of American Art, Washington

A landmark and much-debated reassessment of Western images as narratives of conquest and expansion.

1997-1998
retrospective

Thomas Moran

National Gallery of Art, Washington

A major retrospective of Moran's paintings, watercolors and prints.

2002
retrospective

George Catlin and His Indian Gallery

Smithsonian American Art Museum, Renwick Gallery, Washington

More than 400 objects, including the nearly complete surviving original Indian Gallery, with a section recreating Catlin's European display.

Books & Films About Art of the American West

Essential resources for understanding Art of the American West's life and work.

Films & Other Resources

Letters and Notes on the Manners, Customs, and Condition of the North American Indians George Catlin, 1841

Catlin's two-volume account of his 1830s travels, illustrated with about 300 engravings after his paintings.

Catlin's North American Indian Portfolio George Catlin, 1844

Twenty-five plates after Catlin's paintings of hunting scenes and amusements; the archive's Ball Players lithograph is dated to the same year.

Last Rambles amongst the Indians of the Rocky Mountains and the Andes George Catlin, 1868

Catlin's account of his later travels, including South America, the source of many Cartoon Collection subjects.

Travels in the Interior of North America Maximilian, Prince of Wied, 1843

English edition (London, 1843-44) of Maximilian's Reise in das innere Nord-America, with 81 aquatints after Karl Bodmer.

George Catlin and His Indian Gallery George Gurney and Therese Thau Heyman, eds., 2002

The Smithsonian American Art Museum's catalogue of the original Indian Gallery, accompanying its 2002 exhibition.

The Natural Man Observed: A Study of Catlin's Indian Gallery William H. Truettner, 1979

A catalogue and critical study of Catlin's original gallery published by the Smithsonian Institution Press.

The West as America: Reinterpreting Images of the Frontier, 1820-1920 William H. Truettner, ed., 1991

The influential and controversial National Museum of American Art catalogue that read Western images as expressions of expansionist ideology.

Karl Bodmer's America David C. Hunt and Marsha V. Gallagher, with William J. Orr, 1984

The Joslyn Art Museum's catalogue of its Bodmer watercolors, drawings and prints from the Maximilian expedition.

Albert Bierstadt: Art & Enterprise Nancy K. Anderson and Linda S. Ferber, 1990

Brooklyn Museum catalogue examining Bierstadt's paintings alongside his skill at promotion and the market for Western scenery.

Thomas Moran Nancy K. Anderson, with others, 1997

Catalogue of the National Gallery of Art's retrospective, covering Moran's Yellowstone work and his career as painter and printmaker.

Yellowstone and the Great West: Journals, Letters, and Images from the 1871 Hayden Expedition Marlene Deahl Merrill, ed., 1999

Edited primary sources from the survey that took Moran and William Henry Jackson to Yellowstone.

Alfred Jacob Miller: Artist on the Oregon Trail Ron Tyler, ed., 1982

Amon Carter Museum catalogue of Miller's western sketches and paintings from his 1837 journey.

Explore the Archive

Browse 525 Art of the American West works from the National Gallery of Art, The Metropolitan Museum of Art and the Cleveland Museum of Art.

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